Why I Chose Lancaster as the Setting for The Nanny’s Secret by J. Cronshaw

Discover why author J. Cronshaw set his psychological thriller The Nanny’s Secret in Lancaster. From the River Lune to Dalton Square, explore how the city’s mix of warmth and shadows inspired this gripping domestic noir.

When I started planning The Nanny’s Secret, I didn’t have to look far for inspiration. I live in Morecambe, and Lancaster is part of my daily rhythm.

My son goes to school there. I meet friends in its cafés and pubs. I cross its streets so often that I sometimes forget how much atmosphere Lancaster holds—until I look at it through a storyteller’s eye.

It’s technically a city, but it has the scale and intimacy of a town. You can walk from one side to the other in less than half an hour. That closeness makes it perfect for a domestic thriller: a place where everyone knows each other—or thinks they do—and secrets travel fast behind terraced walls.

The Lancaster you’ll find in The Nanny’s Secret is the Lancaster I know. The Millennium Bridge over the grey, restless Lune. The canal towpaths winding under dripping stone bridges. Williamson Park, with the Ashton Memorial looming above like a silent witness. Dalton Square at night, where conversations turn sharp beneath Queen Victoria’s gaze. And Lancaster Castle, its walls heavy with centuries of judgement.

Lancaster changes with the weather. On bright days, it’s all Georgian charm and student chatter. When the rain rolls in from the Bay, it shifts—streets glisten, shadows stretch, and the city feels older, secretive, watchful.

That dual nature is what drew me to it. Lancaster can be welcoming and unsettling in the same breath. Respectable yet shadowed. It’s a place where the everyday can so easily turn ominous.

Behind closed doors, stories hide.
And in Lancaster, the streets themselves seem ready to whisper them.

The Nanny’s Secret is out now on Kindle, Kindle Unlimited, and in paperback.

Get your copy here →

Thank you for reading,
J. Cronshaw

P.S. I regularly share images from location scouting on my Facebook page at facebook.com/jcronshaw – and be sure to follow!

Read the First Chapter of The Nanny’s Secret by J. Cronshaw

Start reading The Nanny’s Secret, a gripping domestic thriller by J. Cronshaw. Discover the tense opening chapter where a mother’s perfect new nanny begins to reveal her dark secrets.

The drizzle comes in sideways from Morecambe Bay, the kind that soaks you without seeming to try. It streaks the sash windows of our Victorian terrace, blurring the view of Scotforth’s quiet streets where students hurry past with their hoods up, rucksacks clutched against the November wind.

The castle bells toll faintly in the distance, their bronze voices carrying across Lancaster like a reminder that this place has been weighing people down for centuries.

Inside, the radiator clanks its familiar protest while Josh’s Fisher-Price garage plays its electronic tune for the hundredth time this morning. The sound should be cheerful—bright plastic optimism against the grey day—but it feels like mockery.

“Mummy, look!” Josh’s sticky fingers tug at my cardigan, leaving jammy prints on the navy wool. “Car is fast!”

I glance down at his chubby face, all earnest concentration as he pushes a red toy car up the plastic ramp. Four years old and already more focused than I manage most days.

“That’s lovely, sweetheart,” I murmur, turning back to my laptop screen where a half-finished logo design stares accusingly at me. The client—a boutique hotel in the Lake District—wants something “fresh but timeless, modern but authentic.” The brief makes my teeth ache with its contradictions, but the invoice will help with this month’s mortgage. If I can actually finish the bloody thing.

My mobile buzzes with another email notification. Probably another client chasing work I promised for yesterday, or the day before. The cursor blinks in the design software, waiting for inspiration that won’t come. Instead, I have Peppa Pig nattering from the television, Josh demanding attention every thirty seconds, and the persistent ache behind my eyes that’s become my constant companion since becoming a mother.

The kitchen still bears evidence of breakfast chaos—Weetabix cemented to Josh’s high chair, coffee rings on the work surface, his beaker knocked over and spreading orange juice across yesterday’s post. I catch it before it reaches the bills and mop quickly with a tea towel. Small victory.

I should have cleared it up hours ago. But the logo needs finishing, and Josh needs entertaining, and somewhere in between I’m supposed to be a functioning adult.

I stare out the window again, watching a young woman with perfectly styled hair stride past in a raincoat that probably costs more than I spend on clothes in six months. She moves with the confidence of someone who’s never sat in pyjamas until noon, paralysed by the weight of her own inadequacy.

The other mothers at Dallas Road Primary have that same assurance. Gemma Harding, who teaches at the grammar school and always looks like she’s stepped from a magazine spread. Sarah Whitworth, whose three children are permanently scrubbed and dressed in coordination. I bet she has a cleaner on speed dial.

They make motherhood look effortless, while I feel like I’m drowning in the shallow end.

I had plans once. A first-class degree in graphic design from Central Saint Martins, a portfolio that landed me work with decent London agencies. I was going to be someone who mattered, whose work meant something. Instead, I’m pushing thirty-five and designing logos for provincial hotels while my toddler wipes his nose on the sofa. The sofa he seems to believe is his personal handkerchief.

The guilt hits like a familiar punch to the stomach. Josh deserves better than a mother who resents her circumstances, who looks at him and sees everything she’s given up rather than everything she’s gained. He’s beautiful, bright, affectionate—a miracle I waited years for, went through three miscarriages to have. The silence of those hospital corridors still echoes sometimes, the crumpled scan photos I keep in my bedside drawer a reminder of what I nearly lost forever.

So why do I feel like I’m suffocating?

“Mummy sad?” Josh has abandoned his cars and is studying my face with the unsettling perception children possess.

“No, love. Mummy’s just thinking.” I reach out and ruffle his curls, soft as silk under my fingers. He leans into my touch, trusting and warm, and something loosens in my chest despite everything.

But he’s right, isn’t he? I am sad, tired, lost in a life that feels too small for the person I thought I was. The rain intensifies against the glass, and I imagine it washing the whole street clean, carrying me somewhere I can start again.

Outside, Lancaster carries on without me. Gulls circle inland from the bay, their cries sharp against the wind. Buses rumble past, filled with people who have somewhere important to be. The last time I went into town, Penny Street was crowded with students whose energy made me feel ancient at thirty-five, displaced in my own city.

I close my eyes and hear my mother’s voice, sharper now that she’s gone: “Don’t let people think you can’t cope, Emma. There’s no shame worse than that.” But I can’t cope, can I? I’m failing at the one thing women are supposed to do naturally, instinctively. Josh plays quietly beside me, and I wonder if he already knows his mother isn’t enough.

Daniel’s key turns in the front door at half past six, punctual as always. He appears in the doorway still wearing his suit jacket, his accountant’s uniform. His gaze sweeps the living room, taking inventory: the scattered toys, Josh still in his pyjamas from this morning, me curled on the sofa with my laptop balanced on a cushion.

“Daddy!” Josh scrambles up and runs to him, arms outstretched.

Daniel scoops him up, planting a kiss on his head before setting him down. “Hello, trouble. Been good for Mummy?”

“Look, car!”

 “That’s great, son.” He turns to me. “Busy day?” His tone is carefully neutral as he looks at me, but I catch the slight tightening around his eyes, the way his voice caught when he spoke to Josh.

“The usual chaos.” I close the laptop, conscious of how little I’ve achieved. “How was work?”

“Fine. Good, actually. The Morrison account came through.” He loosens his tie, running a hand through hair that’s starting to thin at the crown. When he sits heavily in the armchair across from me, his shoulders sag. “Emma, we need to talk.”

Something in his voice makes me straighten. “About what?”

“You can’t keep doing this to yourself. To us.” He glances at Josh, who’s returned to his cars, then back at me. “You’re drowning, love. Josh needs structure, routine. You need help.”

The word ‘help’ lands like criticism. “I’m managing perfectly well.”

“Are you? When did you last leave the house? When did we last have a proper conversation that wasn’t about logistics or Josh’s needs?”

Heat rises in my chest. “I’m doing my best, Daniel. I’m working, I’m looking after our son—”

“I know you are. But it’s not sustainable.” His voice softens, which somehow makes it worse. “Other families on this street have nannies, childminders. There’s no shame in admitting you need support.”

“I don’t need—”

“Sarah Whitworth recommended someone. A lovely girl, apparently. Very experienced with early years.”

A stranger in my house, judging my parenting, reorganising my chaos according to their superior methods. The thought makes my skin crawl.

“No,” I say firmly. “Absolutely not.”

Daniel’s jaw tightens, but his voice stays gentle. “Then what’s your solution? Because this isn’t working, Emma. For any of us.”

Josh has gone quiet during our exchange, sensing the tension that crackles between his parents. He clutches his toy car and watches us with wide, uncertain eyes.

“I’ll sort it out,” I say, my voice smaller than I intend. “I just need to get into a better routine.”

Daniel nods, but I can see he doesn’t believe me. Neither do I, really. But the alternative—admitting I can’t cope, inviting scrutiny from some competent stranger who’ll see through my pretence in minutes—feels impossible.

After he’s gone upstairs to change, I sit in the gathering dusk with Josh curled against my side, his warm weight the only solid thing in a day that feels like it’s dissolving around me. The rain has stopped, but the windows still weep with condensation.

Josh breathes softly against me, his curls damp with sweat, and I press my cheek to the top of his head. Whatever happens, he is mine. I am his.

I tell myself I don’t need a stranger in my home, don’t need someone else to love my child better than I can. I’m his mother, his first love, the person responsible for keeping him safe and whole.

I hold him tighter, as if love alone will be enough to keep us safe.

From Wyverns to Whispers: The Story Behind The Nanny’s Secret by J. Cronshaw

Full-time author J. Cronshaw shares how his first domestic thriller, The Nanny’s Secret, began as a creative break after writing his epic fantasy series The Ravenglass Chronicles. Discover how he moved from wyverns to psychological suspense, creating a new pen name and a new direction for his writing career.

The Nanny’s Secret was the first domestic thriller I ever wrote—but it wasn’t my first novel.

I’ve been a full-time author since 2018, publishing fantasy and speculative fiction since 2016. Most readers know me for The Ravenglass Chronicles, a sprawling epic fantasy series full of wyverns, assassins, and strange magic.

Over several years, I built an entire universe of interconnected stories—epics, novellas, side tales, and serials—all tied to my fictional Ravenglass Universe.

And in 2022, I decided to write something entirely different—a palate cleanser.

At the time, I was reading a lot of psychological thrillers. They’d become my comfort genre when I wasn’t deep in fantasy worldbuilding. I loved the tension, the secrets, the slow unravelling of trust between ordinary people. It’s a form of storytelling that hits close to home—less about saving kingdoms and more about saving face, marriage, or sanity.

That was how The Nanny’s Secret began.

I didn’t plan for it to go anywhere. It was supposed to be a one-off project, something fun to write before diving back into fantasy. I even told myself that no one would ever see it. After all, it didn’t fit my established author brand. I’d spent years building an audience for fantasy, and the idea of confusing readers—or having to start from scratch with a new pen name—didn’t appeal at all.

But something about writing The Nanny’s Secret felt different.

It was grounded. Real. Intimate. The story came easily, rooted in the kind of small-town settings I knew so well. It pulled from my experiences as a court reporter, from the cases and human stories I’d seen up close—people under pressure, lies unravelling, families falling apart behind closed doors. The world didn’t need dragons or magic to feel dangerous; the tension came from truth.

When I finished it, I thought that would be the end of it. But then I had another idea. And another. Before long, I’d written a second domestic thriller, then a third. Now, a few years later, I’ve written eight—and I’m currently working on my ninth.

At some point, I shared a few of them with a friend of mine who writes thrillers. He told me they were good—publishable, in fact—and that I needed to stop hiding them away. I explained that I didn’t want to confuse my fantasy readers, and that I didn’t want the hassle of building another brand from scratch.

His response was simple. “Drop your first name,” he said. “Make it J. Cronshaw. It’s still you, just different shelves.”

That small change opened everything up.

So here we are. The Nanny’s Secret is now out in the world under my new pen name, J. Cronshaw. It’s been both exciting and humbling to begin again from the ground up—building a new website, setting up social media accounts, creating a fresh newsletter, and reaching a completely new readership.

I was hesitant at first. It felt strange to be “new” again after years of being an established author. But it’s also been freeing.

These thrillers have given me a creative outlet that feels personal and immediate. They let me write about real places near where I live—Morecambe, Heysham, Lancaster—and draw from my own surroundings. I walk those streets, hear those accents, see the same coastal skies my characters do. Every story feels grounded in reality, not in distant kingdoms or imagined empires.

It’s a change of pace from wyverns and princesses, and I love it.

There’s something invigorating about rediscovering the thrill of being a beginner, but with the benefit of experience. I know the pitfalls to avoid this time. I know how to pace a story, how to connect with readers, and how to sustain a long-term creative life. That mix of newness and confidence has made this transition incredibly rewarding.

I can’t wait to share more of these thrillers with you. They’re stories I care deeply about—tales of secrets, lies, and the fragile edges of everyday life. And if the ideas keep coming at the rate they are now, I’ll be writing them for many years to come.

If you’d like to follow along with what I’m working on, you can listen to my Author Diary podcast, available on Spotify or any podcast app. I’ve been recording a weekly episode since 2017, talking about my writing, reading, and creative life—and I haven’t missed a single week.

It’s funny. When I started The Nanny’s Secret, I thought it was a one-off experiment. Now it feels like the start of something much bigger.

And I couldn’t be happier about it.

Unboxing – A chilling short story about online fame, privacy, and the moment a streamer becomes the content.

Unboxing by J. Cronshaw is a gripping psychological short story about a YouTuber whose obsession with viral content takes a dark turn when he receives a package containing his own childhood diary. A sharp, unsettling tale about privacy, exploitation, and the cost of living for views.

The box sat on my desk, its ordinary brown cardboard betraying nothing of its contents.

I adjusted my camera, checked the lighting, and scanned the chat window.

I checked the viewer count—28,521. Biggest stream yet.

“Welcome back, everyone,” I said to the camera, adopting the energetic tone that had become my trademark. “It’s Tyler here, and today we’ve got another anonymous submission for Boundary Box—the segment where I unbox the things people are afraid to show the world. But before we get going, hit like, subscribe, and smash that notification bell. If you’re ready for Boundary Box, let me know in the comments.”

TylerStan4Ever: YESSSS BOUNDARY BOX TIME

BoxMaster69: These are always fire

EthicallyQuestioning: This is literally why I subscribed

“Before we begin, huge announcement.” I paused for dramatic effect. “We’re just 2,500 subscribers away from the one million milestone. When we hit it, I’m planning something unprecedented—live unboxing of anonymously submitted personal diaries. Real, raw, unfiltered human stories.”

MorbidCuriosity: That’s messed up dude. I’m so in.

StreamQueen22: Isn’t that like…illegal?

KarmaCollector: Finally some good content on this platform

“Now for today’s submission.” I lifted the package, giving it a gentle shake near the microphone—a signature move that had become a fan favourite. “Remember, these are sent willingly to our P.O. box. I never solicit specific items. Whatever secrets emerge, the sender chose to share them.”

This disclaimer had become necessary since the divorce papers incident three months ago, when a viewer had sent her husband’s request for separation, complete with allegations of infidelity.

The video hit two million views before the husband’s lawyer contacted me.

I sliced through the tape with a pearl-handled letter opener—another signature touch.

My brand was built on these details—theatrical presentation of increasingly invasive revelations.

“Let’s see what we’ve got today.”

Inside the box lay a stack of letters bound with twine, yellowed with age.

“Correspondence.” I pulled out the bundle. “Looks like love letters based on the hearts drawn on the envelopes.”

I began reading the first letter aloud, a teenage girl’s passionate declaration of love to her boyfriend before he departed for university.

By the third paragraph, the content turned explicit, the writer detailing exactly what she missed about their physical relationship.

“Oh wow,” I laughed nervously, glancing at the chat going wild. “This is definitely monetisation-unfriendly content.”

I continued reading. The letters progressed chronologically, revealing the boyfriend’s gradual disinterest, the girl’s increasing desperation, her threats of self-harm if he abandoned her.

“Jesus.” I shook my head to the camera, eyebrow raised in a memeable pose.

The last letter contained a grainy sonogram image.

The girl was pregnant.

The boyfriend had blocked her number.

The chat scrolled too quickly to read individual comments, but the general sentiment was clear—they wanted more.

Always more.

I checked the viewer count—54,391. My highest ever.

“Well, that was intense,” I said, affecting the detached, slightly amused tone that had become my trademark. “Whoever sent these in, I hope you found some closure by sharing. Remember everyone, we hit one million subscribers, and we’re upgrading to full diaries. Make sure to hit subscribe and that notification bell.”

After ending the stream, I sat in silence, staring at the letters.

I should have felt something—guilt perhaps, or shame at broadcasting someone’s private anguish for entertainment.

Instead, I felt only the hollow satisfaction of good metrics, of engagement analytics trending upward, of another successful performance.

This was what my channel had become.

What I had become.

It hadn’t started this way.

Two years ago, I was just another tech enthusiast unboxing the latest gadgets, fighting for relevance in an oversaturated market.

Then came the accidental breakthrough—a package containing not the smartphone I’d ordered, but divorce papers mistakenly delivered to my address.

On a whim, I’d unboxed them on camera, reading aloud the clinical dissolution of a stranger’s marriage.

The video exploded overnight. Viewers wanted more boundary-crossing content, more voyeuristic thrills, more opportunities to witness private pain from a safe distance.

I gave them what they wanted.

First came the “Found Footage” series—unboxing second-hand phones and memory cards, displaying their forgotten contents.

Then “History Unwrapped”—purchasing unclaimed storage units and revealing personal artifacts, family photos, medical records.

Finally, “Boundary Box” emerged—a dedicated P.O. box where viewers could anonymously submit items too intimate, too controversial, too revealing for their owners to display publicly.

The growth was exponential.


One week later, I prepared for the milestone stream.

We’d passed one million subscribers three days earlier, and anticipation for the diary unboxing had driven my social metrics to unprecedented heights.

“Just confirming stream details for tonight,” my manager texted. “Legal wants to remind you about the disclaimer.”

I replied with a thumbs-up emoji and returned to sorting through the mountain of packages that had arrived since the announcement.

My P.O. box had overflowed—the postal worker had delivered everything directly to my apartment with a disapproving glance.

Most packages contained diaries as requested—teenage journals, travel logs, grief diaries, addiction recovery chronicles.

I’d selected five that promised maximum viewer engagement based on the brief descriptions included by their senders.

Three hours before the scheduled stream, a final package arrived—hand-delivered by courier, requiring signature.

No return address, just my name and a label: “PRIORITY – FOR MILLION SUBSCRIBER LIVESTREAM.”

I added it to the lineup without inspection.

Spontaneity generated authentic reactions, and authentic reactions generated viewership.

At 8 PM, I went live to an unprecedented waiting audience.

The viewer count started at 86,000 before I’d even appeared on screen.

“Welcome, everyone, to the million subscriber special!” I projected enthusiasm while scanning the overwhelming chat. “Tonight, as promised, we’re unboxing anonymous diaries—the ultimate boundary between public and private lives.”

I began with the safer selections—a backpacker’s travel journal with amusing cultural misunderstandings, a bride’s wedding planning diary with bridezilla moments, a food diary revealing a secret eating disorder.

Each generated increasing engagement, the viewer count climbing past 125,000.

“Now for something different.” I reached for the mystery package that had arrived last. “This came with special instructions to save it for last. The sender promises it contains ‘the ultimate unboxing revelation.’”

The package was heavier than expected, wrapped in plain brown paper.

Inside was a box made of dark wood, polished to a high shine, with no distinguishing marks or labels.

“Fancy presentation.” I turned it for the camera. “Let’s see what secrets hide inside such an elegant container.”

I lifted the lid slowly, building tension.

Inside lay a book bound in faded blue fabric, its edges worn from handling.

Something about it triggered a distant recognition, a vague unease.

“Looks like an older diary,” I said, removing it carefully. “No note from the sender, so we’ll discover its significance together.”

I opened to the first page and froze.

My own handwriting stared back at me.

“Property of Tyler Matthews,” read the childish script, followed by my old address and a date fifteen years earlier. “Private!!! Do Not Read!!!” was scrawled beneath in red marker, underlined three times.

“What the hell,” I whispered, forgetting the audience momentarily.

BoxMaster69: What is it bro you look like you’ve seen a ghost

EthicallyQuestioning: Is that YOUR diary??

MorbidCuriosity: Omg someone doxxed Tyler’s past this is epic

My adolescent diary.

My most private thoughts from ages thirteen to fifteen—my most awkward, painful, embarrassing years.

Years filled with rejection, humiliation, desperate attempts to fit in, shameful fantasies, and mortifying medical issues.

I slammed the book shut, mind racing.

Who could have sent this?

My parents had moved houses three times since then.

All my childhood possessions had been either discarded or stored in boxes that, as far as I knew, remained untouched in their attic.

The viewer count ticked higher—189,743.

“Seems I’ve received my own diary,” I said, attempting to laugh it off. “Very funny, anonymous sender. Great prank.”

StreamQueen22: READ IT READ IT READ IT

KarmaCollector: The unboxer becomes the unboxed!

TylerStan4Ever: Don’t chicken out now, this is your BRAND

They were right. This was my brand.

My entire channel was built on exposing private lives for public consumption.

Who was I to back out when the privacy being violated was my own?

“Alright,” I said, reopening the diary with shaking hands. “Let’s see what teenage Tyler was so desperate to hide.”

I began reading entries aloud, starting with relatively innocent material—complaints about teachers, music preferences, celebrity crushes.

The audience remained engaged but clearly hungered for more vulnerability, more exposure.

Then came the entries I’d dreaded.

The rejection by my first crush, detailed in mortifying specificity.

The nickname the popular kids had given me after I’d vomited during a class presentation.

The desperate measures I’d taken to fit in with peers who ultimately abandoned me.

The lies I’d told to seem more interesting, more experienced, more worthy of attention.

My face burned with each revelation, but I couldn’t stop reading.

The viewer count surged past 250,000.

MorbidCuriosity: HAHAHA what a loser

BoxMaster69: No wonder he became a streamer, compensating much?

EthicallyQuestioning: This is actually sad, I feel dirty watching

I continued mechanically, moving through the pages like an automaton, revealing my teenage self’s deepest insecurities, most humiliating moments, darkest thoughts.

Each word stripped away another layer of the carefully constructed persona I’d built.

When I finally reached the end, I closed the book with numb fingers and looked directly into the camera.

The chat continued its relentless scroll, but I no longer registered the individual comments.

The viewer count had reached 341,267—a personal record by a significant margin.

“Well,” I said, my voice hollow, “I hope that satisfied everyone’s curiosity.”

I ended the stream abruptly, without my usual sign-off, without reminders to subscribe, without enthusiastic promises of future content.

In the sudden silence of my flat, I stared at the diary.

Then at my reflection in the black screen of my monitor.

The stranger looking back seemed both unfamiliar and exposed—stripped of pretense, of performance, of the careful distance I’d maintained between myself and the content I created.

My phone buzzed with notifications—social media mentions skyrocketing, messages from my manager about trending status, collaboration requests from larger channels wanting to discuss the “viral diary moment.”

I had become the ultimate content. The ultimate unboxing.

Final Cut – A dark psychological thriller about an influencer who turns a man’s death into content

When influencer Jenna livestreams a fatal accident, her follower count explodes overnight. But as she turns tragedy into content, a grieving daughter confronts her—and the line between authenticity and exploitation shatters. A gripping, unsettling domestic thriller about fame, guilt, and the price of going viral.

“Hey everyone, it’s your girl Jenna!” Her voice was pitched slightly higher than her natural speaking tone, a habit she’d developed over three years of content creation. “Just heading to a meeting with some exciting new brands, but thought I’d catch up with you all first.”

Jenna angled her phone camera carefully, ensuring the afternoon sun hit her face at the most flattering angle. A quick glance at the screen confirmed her appearance—flawless makeup, carefully tousled blonde hair, designer sunglasses perched atop her head. The engagement counter showed seven hundred viewers already tuned in to her impromptu livestream. Not her best numbers, but decent for a Tuesday afternoon.

“So many of you have been asking about my skincare routine after yesterday’s bathroom tour,” she continued, weaving through pedestrians on the busy London street, one eye on her phone screen and one on her path. “I’ve linked everything in my stories, but honestly, the secret is this incredible serum that—”

A screech of tyres interrupted her monologue.

Jenna instinctively swung her camera towards the sound, just as a black hatchback swerved around a double-parked delivery van. The car mounted the pavement several metres ahead, colliding with a middle-aged man in a grey suit who had been checking his watch.

The violence of the impact was staggering. The man’s body folded around the bonnet before being flung several metres, landing with a sickening finality on the pavement.

“Oh my God!” Jenna gasped, her carefully cultivated persona slipping as genuine horror overtook her. Her hand trembled, but she kept filming, capturing the immediate aftermath—the driver stumbling from the vehicle, bystanders rushing to the motionless victim, the spreading crimson pool beneath his head.

For thirteen excruciating seconds, Jenna stood frozen, broadcasting the scene to her followers. Then self-preservation kicked in. “I—I should call an ambulance,” she stammered, finally lowering the phone.

But before ending the stream, she glanced at the viewer count.

4,327 and climbing rapidly.

She dialled 999 with shaking fingers.

By the time paramedics pronounced the man dead at the scene, Jenna’s livestream had been viewed over fifty thousand times.

“It’s tragic, absolutely tragic,” Jenna said, her voice appropriately sombre as she addressed her camera the following morning. “I haven’t been able to sleep, just replaying those horrible moments…”

She paused, dabbing carefully at her eyes with a tissue, mindful not to smudge her mascara. The lighting in her flat was perfect—soft, forgiving, suggesting vulnerability without emphasising the puffiness from her genuine lack of sleep.

Her follower count had increased by seventy-three thousand overnight. Her management team had called an emergency strategy meeting at dawn, outlining the delicate balance required: appearing respectfully shaken while maximising the unexpected exposure.

“Many of you have asked if I’m okay, and honestly, I’m not,” she continued, allowing her voice to catch slightly. “Witnessing something so horrific changes you. It makes you realise how precious life is, how quickly everything can change…”

Her phone buzzed with incoming messages. Brands she’d been courting for months were suddenly eager to collaborate. News outlets requested interviews. Her existing sponsors asked for emergency calls to discuss “sensitivity concerns” while simultaneously increasing their offered rates.

The victim remained nameless in her narrative—a tragedy without identity, a plot point in her content calendar.

“I debated whether to even come online today,” Jenna said, the practised vulnerability in her voice belying the three takes she’d already recorded of this supposedly spontaneous reflection. “But I’ve always shared my authentic journey with you all, and hiding now would feel…dishonest.”

Her engagement metrics soared as she spoke. Comments flooded in, a mixture of sympathy, morbid curiosity, and the inevitable trolling. Jenna had learned long ago to focus on quantity rather than content—engagement was engagement, whether positive or negative.

“If you’re struggling like I am, I’ve found this herbal calming tea so helpful,” she added seamlessly, reaching for the branded package positioned just within frame. “I’ve linked it in my bio. Twenty percent off with code JENNA20.”

After ending the recording, Jenna stared at her phone screen for a long moment. A notification appeared—a message from her oldest friend, Elena: Can’t believe you’re monetising someone’s death. This isn’t you, Jen.

Jenna deleted the message without responding. Elena didn’t understand the influencer industry. Nobody did unless they were in it. This was simply maximising an opportunity. Business, not personal.

Still, when she closed her eyes that night, she saw the man’s body arcing through the air, his limbs at impossible angles, the concrete staining red beneath him. She posted about her insomnia at 3:17 AM, garnering another ten thousand followers before dawn.


“It’s been two weeks since that traumatic day,” Jenna said, walking along the same street where the accident had occurred. Her camera operator, newly hired since her follower count crossed the million mark, walked backwards before her, capturing her solemn expression against the urban backdrop.

She’d placed flowers at the impromptu memorial that had appeared at the site—a photogenic arrangement that matched her outfit, the moment carefully documented for her Instagram stories before beginning the main video.

“I’ve been on a genuine journey of healing,” she continued, her voice modulated to convey earnest reflection. “Each day brings new clarity, new perspective on what truly matters in life.”

What mattered, according to her analytics, was trauma content. Her standard beauty tutorials and lifestyle vlogs now performed poorly compared to any content referencing the accident. Her management team had crafted a twelve-week content strategy centred around themes of witnessing tragedy, processing trauma, and emerging stronger—each phase with its own sponsorship opportunities and merchandise drops.

“Being here again, at the spot where I saw a life end so suddenly…” Jenna paused, allowing her voice to waver. She’d discovered that looking down and to the left, then taking a shaky breath, created the most authentic-appearing emotion. “It reminds me that we must embrace every moment, pursue our passions without fear.”

Her new athleisure line would be announced next week, marketed under the tagline “Life Is Now.” The promotional images featured Jenna in contemplative poses, staring meaningfully into the distance.

Behind the camera, pedestrians passed by, some recognising her, others oblivious. None knew that she had started deliberately seeking out locations with higher accident rates for her daily vlogs, that she had developed a habit of lingering near emergency services with her camera ready, that she scanned each crowd for potential incidents that might capture audience attention.

“Someone asked me yesterday if I knew the man who died,” Jenna said, moving into the final segment of her planned video. “I didn’t. But in some ways, I feel connected to him forever. His last moments became part of my story, a chapter I never expected to write.”

The truth was, Jenna had actively avoided learning the man’s name. Her management advised against it—personalising the victim might create legal complications and limit her narrative flexibility. Better to keep him abstract, symbolic.

She was wrapping up the video, transitioning smoothly into a promotion for a meditation app that had sponsored the content, when a woman’s voice cut through the carefully orchestrated moment.

“His name was Robert Caldwell.”

Jenna turned to see a woman approximately her own age standing a few metres away. Her face was drawn, eyes rimmed with red, hands clenched at her sides.

“He was my father,” the woman continued, voice shaking. “And you’ve turned his death into content.”

The camera operator continued filming, capturing the confrontation. Jenna’s mind raced—this unexpected development could either destroy her brand or elevate it further, depending on how she handled the next few moments.

“I’m so sorry for your loss,” Jenna said, adopting her most compassionate expression. “This has been a difficult time for all of us who witnessed—”

“Witnessed?” The woman stepped closer. Jenna now noticed she was clutching a framed photograph. “You didn’t just witness it. You filmed it. You’ve been monetising it for two weeks. Your followers sent me links to your sponsored posts about ‘trauma healing’ products.”

The woman—Sofia, Jenna would later learn from the tabloid coverage of the confrontation—held up the photograph. It showed Robert Caldwell smiling with his arm around his daughter, both in graduation regalia.

“He was a lecturer in English literature. He volunteered teaching refugees. He was walking to meet me for coffee when he died.” Sofia’s voice cracked. “And you’ve never once acknowledged him as a human being. He’s just been your viral moment, your career boost.”

Something unfamiliar stirred in Jenna’s chest—genuine shame, perhaps, or the nearest approximation possible after years of performative emotion. For a fleeting moment, she saw herself through Sofia’s eyes: not a sympathetic figure processing trauma, but a vulture capitalising on tragedy.

“I never meant to—” Jenna began, but stopped as she noticed her camera operator giving her a subtle thumbs-up. He was still filming. This confrontation was becoming just another content piece, another performance.

Worse, Jenna realised she was already mentally composing the follow-up video she would make addressing this encounter, planning the tearful apology that would generate more engagement than anything she’d posted in months.

Sofia seemed to read this calculation in Jenna’s expression. “You’re doing it right now, aren’t you? Figuring out how to spin this.” She stepped back, disgust replacing grief on her face. “My father deserved better than becoming your stepping stone.”

As Sofia walked away, Jenna’s phone buzzed continuously with notifications. The livestream of the confrontation was already going viral, viewership climbing by the thousands.

Her management team called within minutes, not to check on her emotional state but to discuss strategy.

“This is gold, Jenna,” her manager said excitedly. “The redemption arc practically writes itself. We’re thinking a video series on making amends, perhaps a charity initiative in the father’s name. The engagement potential is enormous.”


Three months after the accident, Jenna’s following had stabilised at just over two million. The “tragedy content” had peaked and begun to wane in effectiveness. Her management team suggested a gradual pivot back to lifestyle content, with periodic “reflection” videos to maintain the narrative thread that had built her audience.

But Jenna had tasted true virality now. Regular content felt flat, engagement tepid compared to the spikes she’d experienced post-accident. She found herself growing increasingly restless, scanning each environment for potential drama, danger, anything that might capture audience attention.

On a Tuesday afternoon, exactly three months since Robert Caldwell’s death, Jenna returned to the accident site. She hadn’t planned a specific video but felt drawn there, hoping perhaps for inspiration, for some new angle to revitalise engagement.

She set up her tripod herself—she’d recently parted ways with her camera operator after creative differences about risk-taking in content. The memorial had long since disappeared, the flowers withered and discarded, the tragedy forgotten by all except those directly impacted.

“Hey everyone, it’s Jenna,” she began, her tone subdued yet expectant. “I’m back at the spot where everything changed for me three months ago. I’ve been reflecting a lot lately on how witnessing trauma changes a person, how it reshapes your perspective…”

Traffic moved steadily behind her. Engagement was modest—this reflective content no longer generated the spikes it once had. Jenna felt a familiar desperation creeping in, the fear of irrelevance that haunted every content creator.

Without fully consciously deciding to do so, she picked up her tripod and stepped back, closer to the road’s edge.

“I sometimes wonder what Robert was thinking in those final moments,” she said, using the victim’s name for the first time—a calculated decision meant to signal growth and respect. “Was he aware of what was about to happen? Did he have time to feel afraid?”

She took another step back, now standing at the kerb’s edge. The traffic behind her became a more prominent visual element in the frame. Her livestream viewers began commenting on her proximity to the road, some expressing concern, others excited by the perceived danger.

“There’s something about standing here, feeling vulnerable to the same forces that took his life,” Jenna said, her voice taking on an intensity that felt almost genuine. “It makes everything more real, more—”

A bus horn blared. Jenna, startled but seeing her viewer count suddenly spike, took another half-step back. Her heel dipped off the kerb.

“This is where he stood,” she said, pivoting to capture the traffic rushing past behind her. “This exact spot. One moment alive, the next—”

The impact was instant and absolute.

Her phone flew from her hand but continued broadcasting, landing at an angle that perfectly captured her broken body on the tarmac, the gathering crowd, the horrified faces of witnesses.

For seventeen seconds, the livestream continued in silence.

The Teacher – Chapter One

Step inside the opening chapter of The Teacher, a tense and gripping domestic noir by J. Cronshaw. Out now on Kindle and Paperback from October 11, this preview introduces Isabel Draper, a mother juggling family, secrets, and an unsettling new teacher at her children’s school.

The rain comes at the windscreen like it’s got a personal grudge against Parents’ Evening. Chris drives through it with his usual caution, hands at ten and two, checking his mirrors every three seconds like he’s transporting nuclear weapons instead of his semi-functional family.

“Christ, love, any slower and we’ll be reversing,” I say, but there’s no bite in it. Just the familiar dance of a Tuesday evening, me needling him while he pretends not to hear.

The wipers squeak their protest across the glass, and I press my fingers to my temples where last night’s Sauvignon Blanc has left its calling card. Not a hangover exactly—I don’t get hangovers anymore, haven’t for years. Just a faint muzzy feeling, like looking at the world through clingfilm.

“We’re not late,” Chris says, indicating left with the kind of precision that makes me want to scream or laugh. Sometimes both. “Plenty of time.”

In the back, Harry’s got his headphones clamped over his ears, eyes closed in that teenage way that says ‘I’m not here, this isn’t happening, you people don’t exist.’ His school jumper’s already twisted, collar askew. Fifteen years old and still can’t dress himself properly, though God knows he can dress down his parents when the mood takes him.

Beside him, Olivia practically vibrates with excitement, her neat ponytail bouncing as she peers between our seats. “Do you think Miss Sharpe will say nice things about my History project? I got nineteen out of twenty. Chloe only got seventeen.”

“I’m sure she’ll be thrilled, sweetheart.” I reach back to squeeze her knee, my bright girl, my easy one. Twelve going on forty, that one. Where Harry skulks, Olivia shines. Chalk and cheese, my mother would say.

Her voice slips into my head uninvited: Straighten your coat, Isabel. You look like you’ve slept in it. What will people think?

I smooth down my mac reflexively, though she’s nowhere near. She’ll have her own opinions about Parents’ Evening when she rings tomorrow, no doubt. Opinions about my parenting, my appearance, my drinking—especially my drinking.

Chris pulls into Morecambe High’s car park, where parents jostle for spaces like it’s the last lifeboat on the Titanic. The school looms ahead, all glass and optimism, lit up against the September gloom.

“There,” I point to a space that might fit our Volvo if Chris employs his A-Level geometry.

“Too small.”

“It’s massive. You could park a bus in there.”

“Izzy—”

“Fine, keep circling. We’ll miss the whole thing and I’ll explain to Olivia’s teachers that her Dad needed a space with a fifty-foot clearance zone.”

He takes the space, of course, sliding in while I bite my tongue to keep from commenting on how he straightens the wheel three times before he’s satisfied.

“Right then, troops,” I announce, pulling my coat tighter against the rain. “Once more unto the breach.”

Harry grunts. Olivia bounces. Chris checks he’s locked the car twice.

My perfect family.

Inside, the corridors reek of wet coats and whatever industrial disinfectant they use to mask the smell of teenage hormones. The walls are lined with art projects—self-portraits that look like police sketches, still lifes of fruit that could be internal organs. The overhead lights hum with that particular frequency that makes everyone look slightly ill.

Parents cluster in queues outside classrooms, clutching appointment sheets like medical prescriptions. Teachers stand guard at their desks, armed with grade books and fixed smiles.

The whole thing has the feel of speed-dating for the educationally anxious—five minutes to be told your child’s either headed for Oxbridge or juvenile detention.

“Oh! There’s Chloe!” Olivia spots her friend and waves. “Can I go say hi?”

“Two minutes,” I say, and she’s off like a shot.

Harry slumps against the wall, radiating disdain. “This is pointless.”

“It’s important,” Chris says, studying our appointment sheet like it might reveal the meaning of life. “Mr Craven first, then Miss Sharpe, then—”

“Then the wine aisle at Morrison’s,” I mutter under my breath, but Chris’s already shepherding us towards the Maths corridor.

I think about the bottle of Marlborough in the fridge, waiting patiently for my return. Just a glass or two to wash away the taste of forced enthusiasm and barely veiled criticism. Parents’ Evening without a Sauvignon drip should be considered cruel and unusual punishment.

We find the right classroom, where a neat sign reads: ‘Mr D. Foster.’ There’s a small queue, naturally. Chris checks his watch. Harry finds a fascinating spot on the floor to stare at.

When our turn comes, I get my first proper look at Harry’s new head of year.

Young—thirty at most, with the kind of casual confidence that comes from knowing you’re the adult in a room full of teenagers. Dark hair cut short and neat, sleeves rolled up to the elbow, tie loosened just enough to seem approachable. He rises as we enter, extending his hand to Chris first.

“Mr Draper, thanks for coming.” His handshake looks firm, professional. Then he turns to me, and something flickers across his face—there and gone so quickly I might have imagined it. “Mrs Draper.”

His hand is warm, dry. The handshake lasts a beat too long, or maybe I’m imagining that too. When he looks at me, there’s an intensity that makes me want to check my coat is buttoned properly.

“Please, sit.” He gestures to the plastic chairs arranged in front of his desk, then turns his smile on Harry. “Alright, Harry?”

Harry manages a shrug that somehow conveys both ‘fine’ and ‘please let me die’ simultaneously.

Mr Craven settles back into his chair with an easy grace. “So, Harry’s clearly capable. His test scores show real ability, particularly in sciences.” He pauses, and I know that pause. It’s the pause before the ‘but.’ “However, I have some concerns about focus and motivation. He seems…distracted lately. Disengaged.”

Chris leans forward. “In what way?”

“Nothing dramatic,” Mr Craven says, his eyes moving between Chris and me, though they seem to linger on my face. “Just a sense that he could be achieving more if he applied himself. The potential’s definitely there.”

Harry slumps further in his chair, managing to look both bored and defensive.

“Teenage boy?” I say, trying for lightness. “Motivation only comes in PlayStation form, I’m afraid.”

Mr Craven smiles politely, but his gaze stays on me a moment too long. Not quite staring, but not quite not staring either. Like he’s trying to work something out, solve an equation where I’m the unknown variable.

I shift in my chair, suddenly aware of the wine on my breath from lunch, though surely he can’t smell it from there. Christ, Isabel, get a grip. He’s probably just one of those intense teacher types who takes everything too seriously.

Or maybe—and this thought makes me want to laugh—maybe I’m flattered. Tragic middle-aged mum mistakes professional concern for interest. How mortifying.

“I’ll keep a close eye on him,” Mr Craven says, finally releasing me from his gaze to address Chris. “Harry’s got real potential. We just need to help him find his focus.”

Chris nods, no doubt already mentally drafting the supportive-but-firm father speech he’ll give Harry in the car. They shake hands again, all masculine understanding, while I gather my bag and try to shepherd Harry towards the door.

“Mrs Draper,” Mr Craven says as we’re leaving, and I turn back. He’s not quite smiling. “Nice to finally meet you.”

Finally? The word snags, but before I can process it, Olivia’s bouncing over from the corridor, full of news about Miss Sharpe and the History display, and the moment dissolves.

“Mr Craven is the best teacher ever,” she says as we navigate towards Humanities. “Everyone says so. He does this thing where—”

“He’s too strict,” Harry says, shoving his hands deeper into his pockets.

“Seems decent enough,” Chris says. “Good to have a male role model at school. Someone who expects high standards.”

“Yes,” I say, forcing brightness into my voice. “Very Dead Poets Society. Though hopefully without the tragic ending.”

The rain’s still coming down as we cross back to the car park, cold fingers of wind slipping under collars and up sleeves. I link my arm through Chris’s, drawing close to his familiar warmth, but my thoughts keep circling back to that room, that stare, that word—finally.

I’m being ridiculous. Too much wine at lunch, not enough dinner, and Parents’ Evening always makes me edgy. It’s the performance of it all, the pretence that five-minute meetings can sum up a child’s entire academic existence.

We reach the Volvo, and Chris begins his ritual of checking he has his keys, checking the children are all present, checking the car hasn’t been attacked by vandals in our forty-minute absence.

I turn back towards the school, I don’t know why.

Mr Craven stands in the entrance, backlit by the corridor’s fluorescent glare.

He’s watching us. Watching me.

Not smiling, not frowning. Just watching with that same intensity. The rain blurs the space between us, but his focus doesn’t waver.

I tell myself I’m imagining it. Tell myself it’s the weather, the general paranoia that Parents’ Evening always triggers. Tell myself a lot of things as I climb into the car and Chris starts his careful reverse.

But when I blink, he’s still watching.

A 16:9 ad promoting the psychological thriller novel "The Teacher" by J. Cronshaw. The ad features a gloomy, rain-soaked background with a dark semi-detached British house in the center. One window glows with warm yellow light, adding an eerie contrast. Overhead, in bold white text, reads the hook: "Who is Teaching Your Child?" The book cover is prominently displayed in the center, flanked by a Kindle and a hardcover edition, both showing the same moody cover design with the title "The Teacher" in bright yellow font and the author's name "J. Cronshaw" in white.

Her Daughter’s Mother – Chapter One

Read the opening chapter of Her Daughter’s Mother, a gripping domestic thriller set in Heysham Village. Follow Sally Bentham as her joy at a perfect school drop-off collides with an unsettling first encounter with a new teaching assistant who knows more than she should.

The school gates used to make my stomach knot, but this morning I actually smile as Amelia races ahead of me, her ponytail bouncing with each skip.

“Bye, Mummy!” she shouts over her shoulder, not even slowing as she spots her friend Katie by the playground fence.

No clinging to my leg, no tears, no pleading to come home with me. Just pure five-year-old confidence as she disappears into the throng of children streaming through Heysham Primary’s green iron gates.

I stand there clutching her empty book bag—the third time this week she’s forgotten it in her excitement—and can’t help but grin. That girl could forget her own head if it wasn’t screwed on, but remembers every single detail about the caterpillars in her classroom terrarium. She’ll spend the car journey home tonight describing their latest movements with wild hand gestures that nearly knock over her juice box.

Mrs Wainwright, Amelia’s teacher, catches my eye and waves. “She’s doing brilliantly, Mrs Bentham!” she calls out, and the warmth in her voice makes my chest swell with proper maternal pride.

Look at her now—chattering away with Katie about something that requires dramatic arm waving and infectious giggles. In reception, Amelia would sob at drop-off, her small fingers wrapped around mine so tightly I’d have marks for hours afterwards. I used to watch other parents with their confident children and wonder if we’d ever get there.

But we did. We bloody well did.

The adoption process tested every ounce of patience I possessed. Three years of forms and assessments, social workers examining every corner of our lives like we were applying to join MI5—and I still managed to misplace my passport.

Before that, two rounds of IVF that wrung me out and had David walking on eggshells while trying to be kind. Those waiting rooms full of pregnant women nearly did me in—listening to complaints about morning sickness while my body refused to cooperate with the simplest biological function.

Then Amelia arrived clutching a stuffed rabbit that smelled of someone else’s washing powder.

For the first year or so, I’d lie awake wondering if the fierce love I felt was enough, if she’d ever truly feel like mine. The guilt about those doubts still catches me sometimes, but watching her race towards her classroom without a backward glance, I know we’ve built something real.

She calls me Mummy without hesitation. She reaches for my hand in crowds. She lets me brush her hair while she chatters about her day.

We made it.

The September drizzle starts up again—that particular Morecambe Bay dampness that makes tourists flee back to their cars while locals just flip up their hoods.

I probably look like every helicopter-parent cliché, lingering at the gates long after the sensible ones have left to get on with their days. But I’m not quite ready to let go of this moment.

Near the Reception entrance, another mother crouches beside a tearful boy who’s clearly having a wobble about going in. Her voice carries that particular patience you develop when your child’s having a public meltdown. I remember those days with a pang of sympathy. My hand twitches with the urge to pass her a tissue from my bag.

“She’s really settled, hasn’t she?”

I turn to find Paula Morrison beside me, her son Jake in Amelia’s class. She’s one of the mums who’ve been genuinely lovely since we arrived—never asking awkward questions about Amelia’s background, just treating us like any other family. That kindness means more than she knows.

“She has,” I say, surprised by how normal my voice sounds. “I keep waiting for something to go wrong, but she’s just…happy.”

Paula laughs. “That’s motherhood for you. The worry never stops, even when everything’s perfect.”

The word ‘motherhood’ sits warm in my chest. She said it like it obviously applies to me, like I’m not some imposter playing dress-up in someone else’s life.

As Paula heads off to her car, calling something about coffee on Friday, I allow myself a moment of pure contentment. My daughter is safe and happy in her classroom, probably already deep in conversation about those blessed caterpillars.

Time to stop hovering like an overprotective mother hen.

“Oh, Mrs Bentham! Sorry, Sally, isn’t it?”

The voice behind me is warm, confident, with a slight Lancashire accent that sounds local but not quite. I turn to find a woman I don’t recognise—early thirties, auburn hair pulled back in a practical ponytail, wearing the navy polo shirt that marks her as school staff.

“Yes, that’s right,” I say, shifting my umbrella to shake the hand she’s offering.

“I’m Robyn Clarke, the new teaching assistant. I’ll be working with Reception and Year One.” Her handshake is firm, her smile bright despite the drizzle. “I’ve been helping Amelia with her reading. She’s such a sweetheart—so eager to learn.”

“Oh, thank you. She loves books,” I hear myself responding automatically, but something about this woman makes me stand a little straighter. She has that easy confidence some people wear—you notice it immediately but can’t quite put your finger on what makes it so magnetic.

“She mentioned you and your husband adopted her.” Robyn’s tone is casual.

“Yes, we adopted her when she was six months.”

“How wonderful.” Her smile widens, and she touches my arm briefly—a gesture that should feel friendly but doesn’t quite. “She’s lucky to have found such a loving home. Some children never do.”

There’s something in the way she says it, a weight to the words that seems odd for casual school-gate chat.

But before I can respond, she’s already stepping back, waving to another parent.

“Lovely to meet you, Sally. I’m sure we’ll chat again soon.”

She walks towards the school building with purpose, stopping to greet other parents along the way. They respond to her like she’s been here for years rather than days—laughing at something she says, leaning in when she speaks.

I stand there for a moment longer, rain drumming on my umbrella. Something about the way she said Amelia was lucky didn’t sit right with me.

Probably nothing. If she knows our history, good. It might help her help Amelia.

A Ghost in the Garden by J. Cronshaw | A Tense British Domestic Noir About Neighbours, Deception, and Dangerous Truths

A quiet widow’s life unravels when her granddaughter’s viral TikTok reveals a shadowy figure in the garden shed. A Ghost in the Garden is a chilling domestic thriller about secrets, lies, and the haunting ties of family.

I’m Gladys Perkins, 68, retired dinner lady. Thirty-six years dishing up mash and gravy to ungrateful teenagers, but I don’t miss it, not terribly. Them kids got ruder every year, and the hair nets were never flattering.

I’ve got my little council bungalow now. One bedroom, bathroom with them grab rails I don’t need yet but the council put in anyway, kitchen big enough for a small table, and a living room where I spend most my time. Got a little garden out back, nothing fancy, just a patch of lawn and a few rosebushes Alan planted before he—well, we’ll get to that.

I like my puzzles. Got stacks of them books—crosswords, word searches, sudoku. Keep the mind sharp. Doctor Jones says it’s good for preventing what he calls “cognitive decline,” which is just a fancy way of saying “going doolally.” The telly’s usually on, but just for company, like. I watch Pointless with Alexander Armstrong every afternoon. Lovely man, very smart.

Not an exciting life, but it’s mine. The only real visitor I get most days is Shannon, my granddaughter. She’s fifteen, all legs and attitude, but she’s got a good heart underneath all that makeup. She comes round most weekends, which surprised me at first. Teenagers don’t usually want to spend time with their nans, do they?

Turns out she weren’t coming for my cheese scones, though they are quite good if I say so myself. No, she were coming for my garden.

“It’s got good light, Nan,” she told me, waving her phone about. “And them rosebushes make a proper backdrop.”

That were the first I heard of TikTok. Shannon tried explaining it to me, but it went in one ear and out the other. Something about short videos and dances and followers. Sounds like a cult, if you ask me, but I nodded along.

“You do what makes you happy, love,” I said, and she beamed like I’d given her a fifty-quid note.

So every weekend, there she is, prancing about between my rosebushes, phone propped up on one of my garden gnomes, music tinkling out of it like from an ice cream van. She does these little dances—nothing like the waltzing we did in my day. All hips and hands and facial expressions.

I watch from the kitchen window, cup of tea going cold in my hands. I thought it were just nice she wanted to come round, even if she only spoke to her phone. Better than being forgotten in my little bungalow, ain’t it?

People think I’m a widow. Simpler that way.

Alan didn’t die, not officially. He disappeared, see. That were twelve years ago now. Went on a fishing trip to Rhyl with his mate Dave. Never came back. They found his car in the car park by the beach, fishing gear gone. No sign of a struggle, nothing to suggest foul play. Just…vanished.

“Never like him,” I told the police at the time. “Never like Alan to leave without saying goodbye.”

They dragged the sea for two weeks. Found nothing. Dave swore blind that Alan had been fine when he last saw him, heading off alone for an evening cast while Dave went to the pub. Said Alan had been looking forward to coming home the next day.

They called it “missing, presumed dead” in the end. I got his pension, his life insurance. Became the tragic figure of the estate for a while. Casseroles and sympathy cards for months.

“Such a mystery,” they all said. “Poor Gladys, left all alone.”

I kept his shed locked after that. Told everyone I couldn’t bear to go through his things, and they nodded like they understood. Grief does strange things to people, they said. Take all the time you need, Gladys.

Twelve years is a long time to take, but no one mentions it anymore. The casseroles stopped coming. The sympathy dried up. Life went on.

I still get his pension. It’s not much, but it helps with the heating in winter. I sometimes wonder if they ever check these things. If there’s some government computer somewhere that’ll suddenly flash red and say “Hang on, this bloke’s been missing too long.” But so far, nothing.

The only one who ever asks questions is Maureen from number 16. Nosy cow with a yappy little Shih Tzu that shits on everyone’s lawn except her own.

“Never did find poor Alan, did they?” she’ll say, pretending she’s just making conversation while her dog sniffs around my front garden. “Strange how some people just vanish into thin air.”

“Very strange,” I’ll agree, and go back inside.

The truth is, I don’t think about Alan much these days. Not the real Alan, anyway. Sometimes I think about the Alan I invented—the one who loved me enough to say goodbye, the one who wouldn’t have left without a word. That Alan visits me in dreams sometimes, and I wake up reaching for him.

The real Alan’s fishing gear is still in the shed. Along with other things I don’t let myself think about.


It were Maureen who told me about the video. Came knocking on my door on a Tuesday morning, dog tucked under her arm like a furry handbag.

“Gladys! I seen yer garden on the lad’s Facebook! It’s gone viral, apparently!”

I hadn’t a clue what she were on about. Viral to me meant flu, not whatever she were getting excited about.

“Our Shannon’s dancing,” I said, not inviting her in. “She puts it on that TikTok thing.”

“Well, it’s everywhere now! Our Kevin showed me. Thousands of people watching it!”

I must’ve looked confused because she huffed, shifting her dog to her other arm. “Look it up, Gladys. ‘Dancing girl, weird grandad in background.’ That’s what they’re calling it.”

She left me standing there, cold dread settling in my stomach like a stone. I don’t have a computer, but I’ve got an old tablet Shannon set up for me years ago. Mostly use it for solitaire and looking up cake recipes, but I know how to search for things.

I sat at my kitchen table and typed in what Maureen had said. It came up straight away.

There was our Shannon, dancing in my garden to some pop song I didn’t recognise. Wearing them denim shorts that are more pocket than trouser and a cropped top thing that showed her belly button. Spinning and pointing and doing whatever dance were popular that week.

But that weren’t what everyone was watching.

In the background, through the bushes near the shed, there was a man. Sat very still on what looked like an upturned bucket. Wearing a green jumper.

Alan’s green jumper.

At first, I thought it were an old photo somehow stuck onto the video. But then it moved. Just slightly. A hand raising what looked like a mug to its lips.

I dropped my tablet. It bounced on the tablecloth and landed face up, Shannon still dancing, Alan still sitting.

“No,” I said to the empty kitchen. “No, no, no.”

I picked up the tablet again with shaking hands. Nearly 80,000 views already. Comments flooding in underneath.

Who’s the creepy old dude in the back?

Grandad’s just vibing lol

Yo is your nan’s house haunted??

I’d be checking that shed if I was you

Call the police, that guy’s just watching her wtf

I closed it down. Put the tablet in a drawer. Made a cup of tea with too much sugar. Tried to steady my hands.

Through the kitchen window, I could see the shed. Looking just the same as it had for twelve years.

Except now, the whole internet had seen what—who—was inside.


I rang Shannon as soon as my hands stopped shaking enough to hold the phone.

“Nan! Have you seen it? I’m famous!” She squealed down the line, voice high with excitement.

“Shannon, love, you need to take that video down.”

“What? No way! It’s got like, 80,000 views already! I’ve gained like 5,000 followers overnight!”

“Please, Shannon. There’s…there’s something in the background. People are saying things.”

“Yeah, I know! That’s why it’s gone viral! Everyone thinks it’s, like, a ghost or something. Or some random old man who snuck into your garden. It’s so creepy! My friends think I’m living in a horror movie!”

She laughed, actually laughed, like it were the funniest thing in the world.

“It’s not funny, Shannon. Take it down.”

“Nan, no. This could be my chance! I might get picked up by brands or something!”

“Brands? What are you on about?”

“Sponsorships! Money! People get rich from going viral, Nan!”

I tried everything. Pleading, threatening to tell her mother, even offering her fifty quid. Nothing worked. Shannon thought she were on the verge of internet stardom, and nothing I said could convince her otherwise.

After I hung up, I sat at my kitchen table for a long time, watching the shed. The sun set. The automatic security light clicked on, casting long shadows across the lawn.

Was he in there now? Watching me watching him?

I got up, found the key to the shed. Slipped it into my pocket. Walked to the back door, looked out at the darkened garden.

I couldn’t do it. Not yet.

Instead, I drew the curtains tight and tried to sleep, the key digging into my hip.


The messages started coming the next day.

Shannon had linked my TikTok account to the video somehow, and people were finding me. The tablet pinged and buzzed with notifications until I had to turn it off completely.

Is that your husband in the background?

Creepy grandad, lol

Do you know him?????

Check your shed, nan!

I tried to ignore them, but they kept coming, each one making me jump like someone had shouted in my ear. I felt exposed, like my little bungalow with its neat garden and locked shed had suddenly had its roof ripped off, everyone peering in.

I found myself checking the windows, making sure the curtains were properly closed. Jumping at every creak and groan of the old building. Watching the shed from my kitchen window like it might suddenly sprout legs and walk away.

That night, I took the key and went outside. The moon was bright enough that I didn’t need a torch. The grass was damp against my slippers. I stood before the shed door, key in hand.

The lock was old, rusty in places. Nobody had unlocked it in over a decade. Not officially.

I raised the key, then lowered it again. Turned and went back inside.

In my bedroom, I pulled the curtain back just enough to see the shed. Was that a light in there? The faintest glow around the edges of the small window?

Or was I going mad?

I let the curtain fall back and sat on the edge of my bed, heart hammering in my chest.

“You’re a silly old woman, Gladys Perkins,” I told myself aloud. “Seeing things that ain’t there.”

But I knew what I’d seen in that video. And deep down, I knew it weren’t the first time I’d seen it.


It took me three more days to work up the courage. Three days of barely sleeping, of jumping at shadows, of watching that damned video over and over, pausing it on the exact frame where you could see his face. Gaunt, bearded, but unmistakably Alan.

The video had over 300,000 views now. Shannon had been on some podcast talking about her “haunted nan.” People were making reaction videos, zooming in on the figure in the background, enhancing the image, drawing red circles and arrows.

Some thought it was a ghost. Others were convinced it was a homeless man who’d been living in my garden without me knowing. A few of the comments were genuinely concerned, telling Shannon she should check on her “poor confused nan” who might be in danger.

If only they knew.

I chose a Wednesday morning. Middle of the week, when most people were at work or school. Less chance of being seen.

I put on my dressing gown and slippers, like I was just popping out to check the washing line. The key felt heavy in my pocket.

The shed looked ordinary in the morning light. Just a wooden structure, maybe eight feet by six, with a small window too grimy to see through.

Hand shaking, I fitted the key into the lock. It turned with a rusty screech that made me wince.

Then I opened the door.

The smell hit me first. Not the rot and decay you might expect, but something almost domestic—cooking oil, cheap soap, the faint whiff of unwashed clothes. A lived-in smell.

It was dim inside, but not dark. A battery-powered camping lantern sat on a makeshift shelf. A camp bed was pushed against one wall. A plastic crate served as a table, with another upturned as a chair. Fishing gear leaned in one corner, largely undisturbed. A small camping stove. A stack of paperback westerns. A plastic washing-up bowl.

And on the camp bed, sitting very still, was Alan.

He looked up when the door opened. No surprise on his face. Just resignation.

“Hello, Glad,” he said, voice rasping from lack of use.

I stared at him. He’d aged, of course. His hair had gone completely grey, what was left of it. His face was deeply lined, his beard unkempt. He was thinner than I remembered, almost gaunt. But his eyes were the same.

“You’re in a video,” I said, because it was all I could think to say.

He nodded. “I saw the girl filming. Tried to stay out of sight, but…”

“She’s your granddaughter. Shannon.”

Something flickered across his face—pain, maybe, or regret.

“You should’ve been more careful,” I said.

“Harder to hide these days. Cameras everywhere.”

We stared at each other across the small space. Twelve years stretched between us like a chasm.

“Why?” I finally asked, though it weren’t really the question I wanted to ask.

He sighed, a deep, weary sound. “Couldn’t take it anymore, Glad. The job, the bills, the arguments. Felt like I was drowning. Went to Rhyl intending to end it all, if I’m honest. But when it came to it… I couldn’t. Just couldn’t. So I walked away instead.”

“And came back here? To hide in your own shed?”

“Not at first. Slept rough for a while. Then found work cash-in-hand at a few farms. Lived in a caravan. But I missed…home.”

“So you moved into the Hendersons’ abandoned shed next door. And crossed into our garden when you thought I weren’t looking.”

His eyes widened slightly. “You knew?”

I laughed, a harsh sound. “Course I knew, Alan. I saw you, that first week. Thought, if that’s how little you think of me, fine. Stay gone.”

I stepped forward and slapped him, hard enough that the sound echoed in the small space. Then I started to cry, great heaving sobs that seemed to come from somewhere deep inside me. He reached for me, and I let him pull me against his chest, his jumper scratchy against my cheek.

“You bastard,” I sobbed. “You complete and utter bastard.”

When the tears finally stopped, I pulled away, wiping my face with the sleeve of my dressing gown.

“I’ll put the kettle on,” I said. “Proper cup of tea, not whatever you’ve been making on that camping stove.”

He followed me into the house like a stray dog, hesitant and wary. Sat at the kitchen table while I made tea, looking around at the familiar space like he’d never seen it before.

Weren’t the reunion I’d rehearsed in my head all them times.

We talked for hours that first day. Twelve years of silence broken by words that tumbled out like water from a burst pipe.

He told me about his life in the shadows—how he’d lived in the abandoned shed in the Hendersons’ overgrown garden next door after they moved into a home, then increasingly in his own shed as years passed and it seemed I wasn’t going to disturb it. How he’d collected rainwater, used the outside tap when I was out, heated food on his little stove. Used the public toilets in town during the day. Watched me through windows and cracks in the fence.

I told him about life without him—how I’d grieved for a man who wasn’t dead, how I’d built a new routine, how Shannon was the only real bright spot in my days now.

“I saw you, that first week,” I repeated. “Coming over the fence at night. Thought I was seeing things at first, or your ghost.”

“Why didn’t you call the police?” he asked. “Report me?”

“And say what? ‘My missing husband’s hiding in his own shed’? They’d have carted me off to the funny farm.” I sipped my tea. “Besides, you were legally dead by then. Pension coming in, life insurance paid out. Would’ve been complicated.”

“So you just…let me stay?”

“Seems like.”

He nodded slowly. “Never came after me with the rolling pin, neither.”

“Thought about it. Many times.”

We fell silent, the weight of twelve years pressing down on us.

“What happens now, Glad?”

I’d been asking myself the same question since I’d seen that video.

“You can’t stay in the shed,” I said finally. “Not now people have seen you. Questions will be asked. That video’s not going away.”

“I could leave. Properly this time.”

I looked at him, this ghost of my husband, and felt something I hadn’t expected. Not love, exactly. Maybe not even forgiveness. But something like familiarity. A recognition of something that had once been important.

“We could say you had amnesia. That you saw Shannon’s video and it jogged your memory.”

He raised his eyebrows. “Would anyone believe that?”

“People believe all sorts of rubbish these days. Seen the comments on that video? Half of ‘em think you’re a ghost.”

Another silence.

“Or,” I said, the idea forming as I spoke, “you could stay in the shed. Out of sight. We don’t tell anyone.”

“You’d do that?”

“Done it for twelve years already, haven’t I?”

He reached across the table, tentatively took my hand. His was rougher than I remembered, calloused from who knows what. “Thank you, Glad.”

I pulled my hand away. “Don’t thank me yet. I’ve got conditions.”


First thing I did was delete Facebook from my tablet. Then I rang Shannon.

“That video needs to come down,” I said, no preamble.

“Nan, we’ve been through this—”

“It’s not a request, Shannon. Take it down or I’ll smash that phone of yours next time you come round.”

She spluttered, outraged. “You can’t do that!”

“Watch me. And no more filming at my house. Not in the garden, not inside, nowhere.”

“But Nan—”

“Some things ain’t for the internet, Shannon. Some ghosts need leaving where they lay.”

I hung up before she could argue more. The video stayed up—once these things are out there, they’re out there for good—but Shannon stopped filming at my house. Started doing her dances in the park instead, where the backdrop was less likely to contain unexpected figures.

Alan moved back into the shed. We agreed it were safer than having him in the house, where neighbours might spot him through windows. I started leaving meals by the back door at night, bringing in the empty plates in the morning.

“Like having a stray cat again,” I told him once, when we sat together in the kitchen late at night, sharing a pot of tea.

He laughed, a rusty sound he was still rediscovering. “Bit more high maintenance than a cat.”

“Not by much. You’re both grateful for scraps and disappear when visitors come round.”

It were strange, how quickly we fell into a routine. How the extraordinary became ordinary. I’d lived alone for so long that having Alan on the periphery of my life again was both jarring and somehow right, like a picture that had been hanging crooked for years finally straightened.

We talked more now than we ever had when we were properly married. Maybe because there were so many new boundaries between us, so many things that needed saying explicitly now.

People still commented on the video. Theories evolved, screenshots were analysed. Some thought it was faked for attention. Others became amateur detectives, trying to identify the mysterious figure. A few even drove by the bungalow, slowing down to peer at the garden, hoping for a glimpse of the “Wednesfield Watcher,” as they’d dubbed him.

Shannon moved on to Instagram, finding new ways to chase internet fame. She still visited, but less often, and always with a sulky reminder that I’d “ruined her chance at being an influencer.”

I sometimes replayed the video myself. Just to see him sitting there, unguarded, unaware he was being watched. There was something peaceful about him in that moment. Something honest.


Shannon came round last weekend with a new phone.

“It’s got, like, the best camera ever, Nan,” she said, turning it over in her hands like it was made of gold. “Everyone at school’s well jel.”

“Very nice,” I said, not really understanding why a phone needed three different cameras on the back, but nodding along.

She hovered by the back door, looking out at the garden.

“Nan…can I do just one more dance out there? For old times’ sake? I won’t post it anywhere, promise.”

I should’ve said no. But she looked so earnest, and it had been months since the original video. Things had quietened down. Alan knew to stay out of sight when Shannon was around.

“Alright. One dance. No posting.”

She beamed, already setting up her phone on the garden table, queuing up some song I didn’t recognise.

I watched from the kitchen window as she performed. It was a different dance to the one in the viral video, but the same energy—all excitement and youth and not a care in the world.

This time, there was no one in the background. Just Shannon and the rosebushes and the blank wall of the shed.

Later that night, after she’d gone, I took a cup of tea out to the shed. Unlocked the lock, pushed open the door.

It was empty.

The camp bed was still there, and the camping stove. The fishing gear still leaned in the corner. But the lantern was gone, and the paperbacks. The washing-up bowl. The small signs that someone had been living there.

On the plastic crate that served as a table was a note, written on the back of a receipt.

Didn’t want to be a ghost. Love, Al.

I sat on the camp bed, the note in my hand, and felt something that wasn’t quite grief and wasn’t quite relief. A space opening up inside me, familiar and new all at once.

The next morning, I found Shannon’s dance on TikTok. She’d posted it despite her promise. But this time, I didn’t call to scold her.

This time, I shared it.

The Lodger – Chapter One

Read Chapter One of The Lodger by J. Cronshaw — a chilling domestic thriller about a widowed mother, a dangerous lodger, and the secrets that won’t stay buried. Perfect for fans of Lisa Jewell, Shari Lapena, and B.A. Paris.

The Minster bells toll and I count each strike like a reminder of everything I’ve lost.

Seven. Eight. Nine.

I push through the heavy glass doors of the university library, my bag weighing down my shoulder with art history textbooks I can barely afford. The night air hits my face, sharp with November cold. Around me, clusters of students spill onto the cobblestones, their laughter echoing off ancient walls. They clutch takeaway coffees and complain about essays due tomorrow, their problems light as air.

I watch a girl with purple hair link arms with her friends. She can’t be older than twenty. When I was twenty, I was married. When I was twenty, I thought I had it all figured out.

Now I’m thirty-eight and starting over.

The weight of my textbooks reminds me why I’m here. Art history degree. Gallery work. A future that doesn’t depend on anyone else. But as I walk past the students with their easy friendships, I feel ancient. Separate.

Wrong.

I turn towards home, following the familiar route through York’s winding streets. The Minster looms ahead, its twin towers disappearing into the darkness above the streetlights. During the day, tourists photograph its Gothic arches and marvel at the rose window. At night, the gargoyles seem to watch.

Tonight, they’re watching me.

The city centre thrums with life. Hen parties stumble between pubs, their sashes glittering under neon signs. Couples walk hand in hand towards restaurants I can’t afford. Street performers play to crowds that drop coins into guitar cases.

I used to be part of this world. Nick and I would walk these same streets on Friday nights, his hand on the small of my back as he steered me towards whatever wine bar had caught his eye. He knew York like he owned it. Talked to bartenders by name. Left tips that made me wince.

Now the city feels like a film set I’m not supposed to be on.

My phone buzzes. A text from my sister Amy: How’s the studying going? Don’t work too late.

I don’t reply. She means well, but she doesn’t understand. She has a husband who brings in a steady salary, two children who don’t ask why Daddy isn’t coming home. Amy thinks I’m being stubborn, pursuing a degree when I should be looking for “proper work.”

But proper work pays fifty pence above minimum wage an hour and expects you to be grateful.

I turn off the main road into Clifton, where the noise fades to nothing. My terrace house sits halfway down the row, its Victorian brick façade identical to its neighbours. Mrs Jennings is at her front gate, wrestling a wheelie bin that’s too heavy for her seventy-year-old frame.

She looks up as I approach. “Evening, Anna.”

“Evening.”

I fumble for my keys, hoping she’ll go inside. She doesn’t.

“That’s a big house for just you and Poppy,” she says, not for the first time. “Too much for one woman to manage.”

Her tone is sympathetic, but I hear the judgement underneath. Poor Anna. Can’t even handle her own life.

“We manage fine,” I say.

Mrs Jennings nods, but her eyes say otherwise. “If you ever need help with anything…”

“Thanks.”

I unlock my front door and step inside, grateful for the barrier between me and her pitying stare. But the house greets me with its own judgement.

Silence presses against my eardrums.

Poppy is at my mother’s tonight, supposedly so I can study uninterrupted. Really, it’s because I can’t afford childcare and my mother feels sorry for us both. Another failure to add to the list.

I drop my bag in the hallway and walk through rooms that feel too big, too empty. Nick’s reading chair sits in the living room, still angled towards the television. His suits hang in the wardrobe upstairs like he might need them tomorrow. His cologne bottle sits on the dresser, half-empty.

I can’t bring myself to pack his things away.

Some days I tell myself it’s because Poppy needs the consistency, the reminder that her father existed. Other days I know the truth: I’m afraid that without his possessions anchoring him here, the weight of what happened by the river will crush me completely.

In the kitchen, I switch on the kettle and sort through the mail I’ve been avoiding. Council tax bill. Electricity. Mortgage statement with numbers that make my stomach clench.

I pull out my calculator and add everything up, subtracting my part-time gallery wages and the small pension Nick left behind. The result is what it always is: not enough.

Poppy needs new school shoes. The boiler is making that rattling sound again. My textbooks for next semester cost more than most people spend on groceries in a month.

I could quit. Amy would be relieved. Get a job at the supermarket checkout, smile at customers all day, come home too tired to dream of anything bigger.

But then what was the point of any of it?

Through the kitchen window, I see Mrs Jennings still fussing with her bins. She catches me watching and waves. I wave back, forcing a smile that feels like glass.

When she finally goes inside, I sit at the kitchen table with my laptop. My inbox blinks with new messages.

The advert I posted last week sits heavy on my mind.

At first, I told myself it was only to test the water, but I know better. I can’t carry this house on my own anymore.

I click open the emails.

A lad asking if he can pay half-rent during holidays. A woman with three cats and “one friendly ferret.” A mature student who wants “party-friendly housemates.” Each reply is another reminder of why this might be a mistake.

Then I see it.

Lauren.

Her message is short, careful, and neat. Literature student. Clean, quiet, reliable references. Can pay three months in advance.

I read it twice. The phrasing feels almost too perfect, like it was written specifically for me. A literature student would appreciate books, wouldn’t she? Someone mature enough to pay in advance, responsible enough to live with a single mother and her daughter.

My fingers hover over the keyboard.

This is Nick’s house. Our house. The place where we fought and made up, where Poppy took her first steps, where he…

Where he died.

But bills don’t care about sentiment. Poppy needs stability more than she needs a shrine to her father. And maybe, just maybe, some company would make this house feel less like a mausoleum.

I type quickly, before I can change my mind:

Hi Lauren, I have a double room available in a quiet Clifton house. Near campus, garden, family-friendly. Would you like to arrange a viewing? Anna.

I hit send and immediately want to take it back.

My phone pings with a response within minutes:

Hi Anna! That sounds perfect. I could come round tomorrow evening if that works? Looking forward to meeting you. Lauren x

I stare at the message. The “x” at the end seems intimate somehow, like we’re already friends. Like she already belongs here.


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